The Artistic License Fair returns to Estancia Park Friday, October 26 and Saturday, October 27 from 10 a.m-4 p.m. Browse fine crafts from 50 artisans based in Orange, Los Angeles, and Riverside counties. Now in its 25th year, the annual event began as the Denwar Crafts Fair over fifty years ago. The Diego Sepulveda Adobe will be open for visitors on both days. For more information, go to artisticlicensefair.com.
Mary Ellen Goddard will offer four free one-hour seminars on archival practice to society volunteers each Friday from September 28-October 19th at 10:30 a.m. The seminars will take place at the Costa Mesa Historical Society Museum and Headquarters. Sessions will cover the following topics:
Costa Mesa’s newest fire station, the Royal Palm station, will be dedicated Saturday, September 29 at 10 a.m. This modern facility will serve the Mesa Verde area with the finest in first-responder equipment, training, and personnel. Working with Captains Rob Gagne and Fred McDowell, the Society has loaned a fireman’s turnout coat and helmet to be placed on display in the station’s lobby. Opposite the display case is a wall-sized enlargement of a historical photo of the original Royal Palm Station, designed by former Costa Mesa Mayor Willard T. Jordan.
November is fast approaching and so are our annual elections. This is where you, our members, have the opportunity to become a candidate or nominate another member for any of the following positions: President, 1st Vice President, 2nd Vice President, Secretary, Treasurer and Board Director.
Thank you to all who visited us at the 71st Annual Costa Mesa-Newport Harbor Lions Club Fish Fry September 21-3. We hoped you enjoyed watching Echoes from the Fields or purchasing gifts from the booth we shared with the Friends of the Library.
Most of all, a big THANK YOU to the volunteers who donated their time and made the event such a success. We couldn’t do it without you!
See you again next year!
Did you know that over two dozen songs have name-dropped Costa Mesa? Over ten of them have appeared in the past five years alone. And in a variety of genres, too: rock, reggae, alternative, Christian, electronica, you name it. Everyone loves to sing about our town.
We’ve selected a few notable tracks below. Find a full list of songs at the bottom of the page. Let us know if there’s anything we missed!
Check out the latest edition of our monthly newsletter:
Table of Contents
Thanks to a joint effort of society volunteers, a new mannequin has been added to the Diego Sepulveda Adobe.
It’s hoped the mannequin, representing a young woman from around the 1860s, will illustrate period dress, spark conversation, and add a splash of color, craftsmanship, and beauty to the adobe’s Victorian Room. The mannequin was purchased with the personal funds of Art and Mary Ellen Goddard, who then donated it to the society. It replaces a taller mannequin whose dress could no longer be repaired.
Once acquired, one of our docents reached out to Cynthia Corley, Orange Coast College Theatre Arts Department, who donated her time to create the new mannequin’s outfit and wig. Corley was reimbursed for the cost of materials, but she donated all her labor for the benefit of the historical society. The mannequin now models an attractive blouse and tiered skirt.
The mannequin is a perfect example of how people can help our organization. If you have an idea for helping out, let us know. And don’t forget to stop by the adobe and admire the work that went into the new educational model.
The Costa Mesa Historical Society preserves several documents written by Dr. Keith Dixon, a leader in the effort to protect the Native American site in Fairview Park (4-ORA-58). Taken together, Dixon’s 1971 draft of the site’s National Register of Historic Places nomination and his proposal to turn the archeological site into an open-air museum present a compelling case both for the preservation of the site’s past as well as a bold, if unrealized, vision for its future.
In 1959 the state of California designated as surplus a swath of land it had previously acquired for the Fairview State Hospital. The 350-acres stretched west from the hospital to the Santa Ana River. Had the land been released immediately, the history of Fairview Park might have been very different. But, as it happened, an ownership dispute tied up the land in court throughout the 1960s, and the title wasn’t cleared until 1970.
By then the ecological movement had taken root. Many in Costa Mesa felt squeezed by two decades of rapid suburbanization that had displaced the town’s rural character. Moreover, many felt a need to preserve the area’s disappearing history, as evidenced by, among other things, the formation of the Costa Mesa Historical Society.
By 1972 nearly everyone believed the land ought to be purchased from the state for the purpose of a park. Early champions of the idea include the city’s Project 80 committee, Estancia High School’s Ecology Committee, and Cal State Long Beach’s professor of anthropology, Keith Dixon.
Dixon, who had directed excavations at the site from 1959-1966, was an ideal advocate for the site. He combined scientific credibility, hands-on experience, and passion. Leveraging this background, he nominated the site for the National Register of Historic Places in 1971 to help protect it from urban development.
The National Register, in his words, serves as “the official list of the nation’s cultural property that has been evaluated by experts as worth saving. It is a protective inventory of those irreplaceable resources which are of more than local significance.”
National Register Nomination
In his nomination Dixon argues that the Fairview site is a unique example of what was once typical of the region. “It represents the last well-preserved remnant of an important part of the Indian heritage.” The site is of more than local significance, he says, for the following reasons:
- It is one of the largest known Indian sites in the region, with up to 750,000 cubic yards of deposit.
- It was intensely occupied for at least 3,000 years, giving anthropologists centuries of data from which to reconstruct cultural patterns.
- It contains a large number of human burials, instructive on the diseases, pathology, and nutrition of native peoples.
- It is the most securely dated prehistoric site in the region, providing clear markers between successive civilizations.
- Its uniquely clear stratification further illuminates the relationships between the major cultures in the area.
- It contains a number of cogged stones in their original position rather than scattered on the surface, giving better insight into the mysterious artifacts.
- Finally, it offers an extensive record of past ecology, through which scientists may reconstruct millennia of ecological history.
Dixon also argued that, given the proximity to major population centers, the site could attract both locals and tourists with its unique educational opportunities. To that end, he proposed an ambitious five-phase project partly modeled on Hancock Park’s La Brea Tarpits to bring people to what he would call the single most important Native American site south of Ventura. Here are the five stages the envisioned:
- Archeologists would conduct a surface survey by “disking” the upper 12 inches of the deposit to identify differences in human activity across the site, reinforce earlier tests, and guide future studies.
- A landscaped park would be developed over the site, allowing full public use of the recreational area while at the same time preserving the archeological material below.
- Archeological research would be conducted in view of the public, much like the tourist-attracting excavations at Hancock Park.
- Permanent exhibits would “recreate the Indian way of life, to make Orange County’s prehistory ‘visible’ for the first time.” Exhibits would include reconstructions of Indian homes, a native plant botanical garden, and an exposed cross-section of the bluff illustrating the archeological deposit and geological strata.
- A Museum of Local Ecology would not only house collected artifacts but would also demonstrate how all aspects of the environment — physical characteristics, animal life, plant life, climate, and man — interoperate upon one other as a single system. This kind of interdisciplinary, systematic museum would be, to Dixon’s knowledge, unique in the world.
Dixon believed the park could both memorialize past cultures and increase public understanding of the nation’s Native American heritage. Early planners seemed to agree, giving pride of place to the cultural zone. By 1978, however, the ambitious project was apparently dropped in favor of a less intensive park. Finally, in 1994, after the city performed one last archeological survey, Dixon recommended that the site be “capped.” Archeologists had done all they could to study it, at least for now, he said.
Although Dixon’s vision for an archeological park was never realized, his tireless efforts nevertheless played a vital role in preserving the site for future generations.
2018 marks the 50th anniversary of a historic music festival remembered as much for its unpredictably large crowds, last minute venue changes, food and water shortages, challenging weather, and mud-loving concertgoers as it is for its lineup of legends like Eric Burden, the Grateful Dead, and Jefferson Airplane.
No, not that festival.
We’re talking about the Newport Pop Festival, held right here on the OC Fairgrounds in Costa Mesa August 3-4, 1968.
While it’s largely forgotten now, the Newport Pop Festival is arguably one of the most significant events in Costa Mesa cultural history. It is believed to be the first ever pop concert with more than 100,000 paying attendees (total attendance is estimated at 140,000) and it provided an important link between 1967’s Monterey Pop Festival and 1969’s Woodstock, presciently foreshadowing what was to come the following year.
To learn more about this important part of our cultural history, visit the Costa Mesa Historical Society Museum’s exhibit box on the Newport Pop Festival, on display every Thursday and Friday from 10 a.m.–3 p.m.